The History of Escape Rooms, or the Secret Behind the Popularity of a Unique Entertainment

When Japanese developer Toshimitsu Takagi released the Flash game Crimson Room in 2004, he likely had no idea that he was launching an entirely new genre. The idea was that the player woke up in a locked room and had to search for keys and codes in pixelated cabinets, encountering various adventures in every square meter. The concept was instantly embraced by the community, and soon hundreds of free point-and-click quests by Japanese and Korean creators filled internet portals. This marked the beginning of what is now the famous escape the room category.

The First Steps Outside the Internet

In 2007, journalist and game designer Takao Kato decided to bring the online format into real life. In Kyoto, he opened Real Escape Game, where visitors had an hour to find their way out of a themed location, while solving puzzles similar to the ones once triggered by a computer mouse click. The experiment received an overwhelming response! Tickets sold out in days, and the company SCRAP began hosting similar events all over Japan and in the U.S.

Independently of Kato, in 2011, psychotherapist Attila Gyurkovics opened Parapark in Budapest. He viewed the game as a team interaction simulator rather than just entertainment. The Hungarian capital quickly became something of a «mecca» of escape room tourism, as the format was easy to replicate and basement rentals were cheap.

Why the Year 2010 Changed Everything for Escape Rooms

All fans of this kind of entertainment should thank the organizers active in 2010, as that’s when escape rooms gained popularity. Why exactly 2010? There are several logical reasons:

• Social Media. Photos of teams with keys and signs saying «We escaped!» were spreading like wildfire on Facebook—free advertising you can’t buy.
• Startup Economy. The cost of launching a room (rent, decor, props) was relatively low, and the franchise model allowed for scaling.
• The Search for «Live» and Original Entertainment. A generation tired of computer and phone screens finally craved real interaction and team bonding.
• Media Effect. Escape room stories appeared on TV (e.g., the show Race to Escape on Discovery), which firmly cemented the genre in pop culture.

By 2019, there were already more than 50,000 rooms in over 100 countries worldwide, and the market was valued at a billion dollars. In Canada, one of the most popular escape room organizers became Escapehour. Of course, the COVID‑19 pandemic temporarily halted growth but also inspired new online formats. After lockdowns, players quickly returned to offline rooms with even greater appetites for technology: RFID locks, sensor floors, and projection decor became the new standard.

Today, escape rooms are evolving into full-fledged multi-platform projects: interactive street missions, AR quests, and hybrid shows with live actors. But the core of the phenomenon remains unchanged, born in a tiny pixelated room—the human passion to solve a mystery and unlock that final door, to feel like a winner.